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| Architects,
landscape designers, interior designers and product designers are typical
designer jobs. They often develop visual themes, to position themselves
and their designs in the market. Many clients purchase products of or engage
these designers because their products match with the sense of their identity.
For example urban planners expect the landscape designers to develop landmarks,
to improve the attractiveness of the city, neighbourhood or region. In addition
to the visual requirements the design should improve the liveability of
the community, preserve the environment and protect sensitive areas. Requirements
usually not met by the visual themes of the designer. Most design teams
are not composed of visual designers only but also include marketing people,
design engineers, manufacturing- and O&M specialists. The design engineers,
manufacturing- and O&M specialists ensure that the product meet the
criteria of professional correctness, which may be specified in professional
codes and standards. However
the customers, users (operators), regulators (government), retailers and
pressure groups will judge the products on other criteria, like usefulness,
appreciation for the environment and efficiency. Professional codes and
standards have no or little value to them. The customer will only engage
the designer (and its team) again when the design meets his/her expectations.
Marketing people should collect the information about the customer expectations.
The expectations are usually related to Unfortunately
it is seldom easy to formulate a complete schedule of requirements that
present the customer attributes. Many stakeholders provide incomplete
or ambiguous information about their problems, needs and demands. Customers
in addition may provide equivocal information about their clients, financial
capacity or the operators of the product. In particular in the early stages
of the project, designers, customers and other stakeholders may have different
frames of reference. Often the designer and the customer need frequent
interaction to clarify ambiguous issues and to change understanding in
a timely manner. The designer has to assist the customer in formulating
the customer attributes. For example, the designer can show other (similar)
products and note down what the customer, including end-users, operators,
and maintenance staff is saying about these products and their specific
parts. Most designs are compositions of parts! In addition the designer
will have to use more traditional marketing research techniques to determine
the relative importance of the customer attributes. Interviews are usually
more appropriate when the customer orders the product for his/her personal
use. When the designer develops a mass-product, observation techniques
may be added to validate the results of the interviews. The relative importance
of customer attributes is important to the designer because it is close
to impossible to accommodate all. Often designers have to trade off one
customer attribute against another. Private enterprises (like real estate
agents) often want to be able to position the product strategically in
the market. This means that the marketing people in the design team will
have to study the products of competitors and their markets. The management
of the design team may have similar requirements. After all the design
teams compete for work, thus the designs are used as a trademark. When a first draft of the schedule of requirements is formulated, the designer has to analyse it on basis of conflicting interest. For example, the designer of rural development planning tools foresees that it is impossible to meet the demand of the customer, the Ministry of Local Development, with the current human resource allocation in the districts. If the designer ignores the human resource capacity, the product will not be suitable to the recipient operators. If the planning tool is designed on basis of the available human resource capacity, the product may not be acceptable to the customer. The designer needs to seek guidance from the customer. It is not self-evident that the customer is willing to alter his/her demands on basis of the concerns from the designer. Designers have to keep in mind that customers often learn more about their demands and capacities during the project. Tests, small studies and development of prototypes may improve the communication process. The customer
attributes should be translated into Engineering Characteristics. The
Engineering Characteristics still relate directly to customer perceptions
and preferably express them in measurable terms. For example the customers
will feel the weight of the glass door, but it is unlikely that they will
perceive its thickness. The thickness is a so-called Part Characteristic.
A measurable term can be a simple yes or no criterion. For example steal
beam should not collect water and dust to avoid corrosion. Very often the different design features influence each other. Increasing the isolation value of the walls often results in an increase of the bearing load of the foundation. Thus a change of the desired value of one characteristic affects others. It is important to list down which features affect each other to avoid incomplete design changes. Many designers
are tempted to design the product on basis of the part characteristics.
However the production process limits the freedom of the designers. The
production process contains controllable and uncontrollable factors affecting
the values of the characteristics. As uncontrollable factors are impossible,
difficult or expensive to control, the designers have to set the desired
target values of the controllable factors to remove or reduce the impact
of the changes in the uncontrollable factors. This requires insight in
the interactions between the controllable and uncontrollable factors.
Only now the design team can complete the design. |
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